I’m very happy to be joining Panos Pictures. All my documentary work is now represented by them.
For more info: https://www.panos.co.uk/portfolio/eduardo-soteras-jalil/
I’m very happy to be joining Panos Pictures. All my documentary work is now represented by them.
For more info: https://www.panos.co.uk/portfolio/eduardo-soteras-jalil/
I was on assignment in Sudan, along with Katharine Horould and Hafiz Haroun, in one of the first trips allowing foreign press to the conflict.
Part of the stories we produced can be seen here:
Our story about Liberian war criminals, now running churches, for The Telegraph, with Adrian Blomfield.
Here the story: From monster to minister: Is the past about to catch up with Liberia’s war criminals?
I was working in several stories for The Washington Post in Kenya.
Kenyan president aims to attract green investment during U.S. visit
In a great effort (the hour, the context, the noise level, this age that I was born with) I photographed this story for Le Monde with text by Marion Douet.
Nairobi by night : la vague « amapiano » déferle sur le Kenya
I worked along with Noe Hochet-Bodin in Somalia on several stories for Le Monde:
Withdraw of the African Union forces
En Somalie, le retrait prévu des troupes de l’Union africaine fait craindre un vide sécuritaire
In Somalia, plans to withdraw African Union troops raise fears of a security vacuum
Bilan, the first female media:
Somalie : « Bilan », le premier média 100 % féminin qui brise les tabous
Turkish influence in Somalia:
En Somalie, le pari réussi de la Turquie d’Erdogan
And about the first Somali telenovela:
En Somalie, une première série télévisée qui défie les islamistes
I’ve been working in Seychelles for the Washington Post: "In China’s shadow, U.S. rushes back to neglected Indian Ocean island" with text by Liz Sly and edit of Jennifer Samuel.
It can be read here: https://www.washingtonpost.com/world/2023/09/01/seychelles-china-us-diplomatic-relations/
The story made it to the A1 page in the print edition:
I documented for the Financial Times, along with Andres Schipani in text, the growing conflict between humans and wildlife in Amboseli National Park, in Kenya. With a growing scarcity of resources, humans defending their crops killed every year a skyrocketing amount of protected wildlife. To access the full story: https://bit.ly/3Nx7F7Y
One year after, we came back to Somali region, in Ethiopia with a team of AFP and in collaboration with Save the Children, to document the consequences of the drought in the region.
Here some of the images, that were featured also at the Guardian’s: https://www.theguardian.com/artanddesign/gallery/2023/jan/31/ethiopia-drought-stricken-internally-displaced-people-in-pictures?CMP=share_btn_tw
I’m very happy to be the winner of the Picture of the Year 2022, organized by UNICEF Germany, with this photo I took during the coverage we did with AFP on the conflict in Tigray.
I was able to participate in the ceremony in Berlin, and received the prize from Germany’s First Lady Elke Büdenbender.
A photo of our work in Ethiopia with AFP received the Gran Prix Varenne 2022 in the category photo.
No doubts that any of this work would have been possible without the constant support of AFP, my family and mainly from who was my team mate, friend and the constant energy granting us access in a very difficult context: Robbie Corey-Boulet.
Together with Noé Hochet-Bodin we did a story on Ngangao forest, in Southwest Kenya.
Here the online publication:
1843 Magazine from The Economist commissioned me for a photo essay on Addis Ababa.
For the whole story:
https://www.economist.com/1843/2022/06/24/i-was-a-war-reporter-in-ethiopia-then-i-became-the-enemy
Part of the work that I’ve been doing for AFP documenting the conflict in Ethiopia’s northern region of Tigray will be exhibited at the photojournalism festival Visa Pour l’Image in Perpignan, France.
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